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ABRSM Violin Grade 5 Syllabus 2026: Repertoire and Scales
The 2026 ABRSM Violin Grade 5 syllabus: repertoire list and scale requirements, with practical notes for choosing a coherent exam programme.

ABRSM Violin Grade 5 is a threshold grade. The pieces are still compact enough for exam preparation, but the candidate now needs a clearer sense of style, tone, phrase length, and left-hand confidence.
The 2026 guide below follows the official ABRSM Violin Practical Grades syllabus from 2024, which remains the current syllabus for this repertoire.
For the broader level-by-level view, read this with ABRSM violin repertoire by grade. Grade 5 is also a useful moment to check that exam work is building musicianship rather than only chasing the next certificate; see what ABRSM exams can and cannot teach.
Other grades: Grade 1 | Grade 2 | Grade 3 | Grade 4 | Grade 5 | Grade 6 | Grade 7 | Grade 8
Grade 5 difficulty summary
Grade 5 is a threshold grade. The programme should show more mature tone, more confident left-hand organisation, and a better sense of musical pacing.
Practical Grade 5 picks
Before buying extra books, check whether the shortlisted pieces are already in the student’s current method books, school library copies, or ABRSM exam-piece collections. The most practical choice is the one the student can prepare musically and consistently.
How to choose a Grade 5 programme
Grade 5 rewards coherence more than surface display. A Baroque movement can show excellent style if the student has rhythmic poise. A lyrical piece can be persuasive if the sound is supported and not pressed. A brilliant List C choice can work well, but only if rhythm and intonation remain free under pressure.
Grade 5 repertoire: List A
| No. | Composer | Piece | Publication |
|---|---|---|---|
| 1 | Corrette | Giga, from Sonata in D, Op. 25 No. 5, arr. Jones | Violin Exam Pieces from 2024, Grade 5 (ABRSM) |
| 2 | attrib. Handel | Allegro, 2nd movt from Sonata in F, Op. 1 No. 12, HWV 370 | Violin Exam Pieces from 2024, Grade 5 (ABRSM) |
| 3 | Jean Baptiste Loeillet | Giga, 4th movt from Sonata in G minor, Op. 5 No. 6 | Violin Exam Pieces from 2024, Grade 5 (ABRSM) |
| 4 | J. C. Bach | Presto, 3rd movt from Symphony No. 4, arr. Wade | The Young Symphonist, Vol. 3 (Clifton Edition) |
| 5 | Boyce | Allegro, 1st movt from Symphony No. 4 in F, arr. Wade | The Young Symphonist, Vol. 3 (Clifton Edition) |
| 6 | J. S. Bach | Bereite dich, Zion, from Weihnachtsoratorium, BWV 248, arr. K. & D. Blackwell | Bach for Violin (OUP) |
| 7 | Gossec | Tambourin, arr. Nelson | Sheila M. Nelson’s Classical Violinist (Boosey & Hawkes) |
| 8 | Joachim Johow | Cafe classique, No. 5 from Coffee & Violin | Joachim Johow: Coffee & Violin (Schott) |
| 9 | Senaille | Allegro spiritoso, 4th movt from Sonata No. 4 in D minor | Senaille: Sonata in D minor (OUP or Schott) |
| 10 | Leclair | Allegro, 2nd movt from Sonata in B minor, Op. 2 No. 11 | Franzosische Violinmusik der Barockzeit 2 (Henle) |
| 11 | Mascitti | Giga | Grade by Grade, Violin Grade 5 (Boosey & Hawkes) or Sheila M. Nelson’s Baroque Violinist (Boosey & Hawkes) |
| 12 | Telemann | Allegro, 2nd movt from Sonata in G, TWV 41:G1 | Telemann: 6 Sonatas for Violin (Schott) |
| 13 | Vivaldi | Allemanda, 2nd movt from Sonata in F, RV 20, Op. 2 | Vivaldi: 12 Sonatas for Violin, Op. 2 Book 1 (Schott) or Baroque Violin Pieces, Book 3 (ABRSM) |
Grade 5 repertoire: List B
| No. | Composer | Piece | Publication |
|---|---|---|---|
| 1 | Andree | Romance, No. 1 from Two Romances; mute optional | Violin Exam Pieces from 2024, Grade 5 (ABRSM) |
| 2 | Trad. Shanxi | Leaving Home, arr. Long SOLO | Violin Exam Pieces from 2024, Grade 5 (ABRSM) |
| 3 | Sherwin & Maschwitz | A Nightingale Sang in Berkeley Square, arr. Iles | Violin Exam Pieces from 2024, Grade 5 (ABRSM) |
| 4 | Bridge | Cradle Song, H. 96 | Bridge: Three Pieces for Violin (Faber) or The Best of Grade 5 Violin (Faber) |
| 5 | Ireland | Berceuse | Ireland: Berceuse for Violin (Stainer & Bell) |
| 6 | attrib. Paradis | Sicilienne, arr. Dushkin | Paradis: Sicilienne for Violin or Cello (Schott) or Encore Violin, Book 3 (ABRSM) |
| 7 | Pergolesi | Siciliano | Small Concert Pieces, Vol. 1 (EMB Zenemukiado) |
| 8 | Rieding | Andante sostenuto, 2nd movt from Concertino in G, Op. 24 | Rieding: Concertino in G, Op. 24 (Bosworth) |
| 9 | Shostakovich | Elegie, arr. Fortunatov | Shostakovich: Albumstucke (Peters or Sikorski) |
| 10 | Tchaikovsky | Waltz, from Serenade for Strings, arr. Huws Jones | Going Solo for Violin (Faber) |
| 11 | Branscombe | An Old Love Tale, Op. 21 No. 1, arr. Cooper; mute and sul G optional | Violin Music By Women: A Graded Anthology, Vol. 3 Intermediate 2 (Sleepy Puppy Press) |
| 12 | Sally Greenaway | Danza del Anhelo | Lyrical Violin Legends (Allegro) |
| 13 | Joe Hisaishi | Departure, from Kiki’s Delivery Service, arr. Shimazu | Joe Hisaishi: Studio Ghibli Songs for Violin, Easy-Intermediate (Yamaha) |
Grade 5 repertoire: List C
| No. | Composer | Piece | Publication |
|---|---|---|---|
| 1 | Barbara Arens | Tango Habanera | Violin Exam Pieces from 2024, Grade 5 (ABRSM) |
| 2 | Tailleferre | Moderato, 1st movt from Sonatine | Violin Exam Pieces from 2024, Grade 5 (ABRSM) |
| 3 | Hille | Czardas, No. 3 from Hungarian Sketches, Op. 23 | Violin Exam Pieces from 2024, Grade 5 (ABRSM) |
| 4 | Diana Burrell | The Secrets of the Dark Pool in the Pine Forest | Diana Burrell: The Secrets of the Dark Pool in the Pine Forest (UMP) |
| 5 | Kodaly | Intermezzo, from Hary Janos, arr. Kolman | Universal Violin Album, Vol. 3 (Universal) |
| 6 | Timothy & Natasha Kraemer | Cossack Dance | Gypsy Jazz: Intermediate Level (Faber) or The Best of Grade 5 Violin (Faber) |
| 7 | Lavildevan | Sugar with Cinnamon, arr. K. & D. Blackwell | Solo Time for Violin, Book 2 (OUP) |
| 8 | Trad. Klezmer | Hava Nagila, arr. Stephen & Rowlands | Klezmer Fiddle Tunes (Schott) |
| 9 | Richard Wade | Barn Dance, from Way Out West | Richard Wade: Way Out West (Queen’s Temple Publications) |
| 10 | Joe Hisaishi | A Town with an Ocean View, from Kiki’s Delivery Service, arr. Shimazu | Joe Hisaishi: Studio Ghibli Songs for Violin, Intermediate (Yamaha) |
| 11 | Ewa Iwan | Tarantella, from Musical Journeys, Book 1 | Ewa Iwan: Musical Journeys for Violin, Book 1 (PWM) |
| 12 | Perlman | Hora-Hatikvah, 1st movt from Israeli Concertino | Perlman: Israeli Concertino (Boosey & Hawkes) |
| 13 | Marceli Poplawski | Spanish Dance | Marceli Poplawski: Easy Pieces for Violin (PWM) |
Grade 5 scales and arpeggios
All scales and arpeggios are played from memory.
| Keys | Range | Bowing and rhythm |
|---|---|---|
| Scales | ||
| D-flat, E-flat, and F majors; B, C-sharp, and E minors, harmonic or melodic at the candidate's choice | 2 octaves | Separate bows or slurred, 2 beats to a bow, at the examiner's choice. Even notes or long tonic at the candidate's choice. |
| G and A majors; G and A minors, harmonic or melodic at the candidate's choice | 3 octaves | Separate bows or slurred, 2 beats to a bow, at the examiner's choice. Even notes or long tonic at the candidate's choice. |
| Arpeggios | ||
| D-flat, E-flat, and F majors; B, C-sharp, and E minors | 2 octaves | Separate bows or slurred, 3 notes to a bow, at the examiner's choice. Even notes. |
| G and A majors; G and A minors | 3 octaves | Separate bows or slurred, 3 notes to a bow, at the examiner's choice. Even notes. |
| Dominant sevenths | ||
| In the key of B-flat | 1 octave | Separate bows or slurred, 4 notes to a bow, at the examiner's choice. Even notes. |
| In the keys of C and D | 2 octaves | Separate bows or slurred, 4 notes to a bow, at the examiner's choice. Even notes. |
| Diminished sevenths | ||
| Starting on open G string and open D string | 1 octave | Separate bows, even notes. |
| Chromatic scales | ||
| Starting on G, A, and B-flat | 2 octaves | Separate bows or slurred, 4 notes to a bow, at the examiner's choice. Even notes. |
Practical recommendation
Pick pieces that match the student’s natural strengths honestly. If the player already hears Baroque rhythm well, a List A sonata movement can be very convincing. If tone is the stronger asset, make sure the List B choice really lets that sound come through.
For the broader level-by-level view, return to the ABRSM violin repertoire by grade guide.

