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ABRSM Violin Grade 4 Syllabus 2026: Repertoire and Scales
The 2026 ABRSM Violin Grade 4 syllabus: repertoire list and scale requirements, with practical notes for choosing a more mature exam programme.

ABRSM Violin Grade 4 marks a real change of scale. The pieces begin to ask for more structure, warmer tone, clearer projection, and a more grown-up sense of phrase. This is often the grade where simply playing the notes stops being enough.
The 2026 guide below follows the official ABRSM Violin Practical Grades syllabus from 2024, which remains the current syllabus for this repertoire.
For the broader level-by-level view, read this with ABRSM violin repertoire by grade. For the bigger teaching question behind exam preparation, see what ABRSM exams can and cannot teach.
Other grades: Grade 1 | Grade 2 | Grade 3 | Grade 4 | Grade 5 | Grade 6 | Grade 7 | Grade 8
Grade 4 difficulty summary
Grade 4 is a bridge into more independent playing. Students need stronger rhythm, more settled shifts where required, and clearer stylistic choices.
Practical Grade 4 picks
Before buying extra books, check whether the shortlisted pieces are already in the student’s current method books, school library copies, or ABRSM exam-piece collections. The most practical choice is the one the student can prepare musically and consistently.
How to choose a Grade 4 programme
Choose one piece with clear formal shape, one piece that develops tone and line, and one piece that shows character without rushing. The programme should feel grown-up, not inflated. If shifting, vibrato, or bow distribution are still developing, choose repertoire that helps those skills settle musically.
Grade 4 repertoire: List A
| No. | Composer | Piece | Publication |
|---|---|---|---|
| 1 | Bacewicz | Prelude, from Easy Pieces, Book 1 | Violin Exam Pieces from 2024, Grade 4 (ABRSM) |
| 2 | Trad. American | Ragtime Annie, arr. Huws Jones | Violin Exam Pieces from 2024, Grade 4 (ABRSM) |
| 3 | A. Veracini | Vivace, 4th movt from Sonata in G minor, Op. 3 No. 7, with first repeat | Violin Exam Pieces from 2024, Grade 4 (ABRSM) |
| 4 | Anon. Italian | Trotto, arr. Huws Jones | The Young Violinist’s Early Music Collection (Faber) |
| 5 | Beethoven | Menuetto, from Serenade No. 1 in D, Op. 8, arr. Nagy | Introduction to the Great Composers (Barenreiter) |
| 6 | Weber | Allegramente, from Rondo, Op. 3 No. 6, arr. Nagy | Introduction to the Great Composers (Barenreiter) |
| 7 | Handel | Rondeau, from Sonata in E minor, Op. 5 No. 3, arr. Forbes | First Violin, Book 3 (ABRSM) |
| 8 | L. Mozart | Presto, 3rd movt from Symphony in G, arr. Wade | The Young Symphonist, Vol. 2 (Clifton Edition) |
| 9 | Purcell | Rondeau, from Abdelazar, arr. Cohen | Encore Violin, Book 2 (ABRSM) or The Best of Grade 4 Violin (Faber) |
| 10 | N. Sokolovsky | Menuett | Small Concert Pieces, Vol. 1 (EMB Zenemukiado) |
| 11 | Anon. French | Estampie royal, arr. Huws Jones | The Early Music Fiddler (Boosey & Hawkes) |
| 12 | J. Gibbs | Aria and Variation 1, from Sonata in D minor, Op. 1 No. 1, arr. Nelson | Sheila M. Nelson’s Baroque Violinist (Boosey & Hawkes) |
| 13 | Rachel Laurin | The Sugar Shack, from Three Canadian Scenes, Op. 104 | Lyrical Violin Legends (Allegro) |
Grade 4 repertoire: List B
| No. | Composer | Piece | Publication |
|---|---|---|---|
| 1 | Joe Hisaishi | The Legend of Ashitaka, from Princess Mononoke, arr. Shimazu | Violin Exam Pieces from 2024, Grade 4 (ABRSM) |
| 2 | F. Price | The Deserted Garden | Violin Exam Pieces from 2024, Grade 4 (ABRSM) |
| 3 | Holst | Landler, arr. Salter | Violin Exam Pieces from 2024, Grade 4 (ABRSM) |
| 4 | Y. Bowen | Melody | First Violin, Book 3 (ABRSM) |
| 5 | Bridge | Spring Song, No. 2 from Four Short Pieces, H. 104 | Bridge: Spring Song and Lullaby (Stainer & Bell) |
| 6 | Carse | Chant de l’escarpolette | Classic Carse, Book 2 (Stainer & Bell) |
| 7 | J. P. E. Martini | Plaisir d’amour, arr. Danbe | J. P. E. Martini: Plaisir d’amour (Schott) |
| 8 | Martinu | Andante, No. 3 from Four Intermezzos, H. 261 | Martinu: Intermezzo (Barenreiter Praha) |
| 9 | Mendelssohn | Andante con moto, 2nd movt from Symphony No. 4, The Italian, Op. 90, arr. Wade | The Young Symphonist, Vol. 2 (Clifton Edition) |
| 10 | Trad. Breton | Lament, arr. Huws Jones, violin melody | The French Fiddler (Boosey & Hawkes) |
| 11 | Toivo Kuula | Morning Song, arr. North | Lyrical Violin Legends (Allegro) |
| 12 | Schubert | Romanze, arr. Nagy | Introduction to the Great Composers (Barenreiter) |
| 13 | J. S. Skinner | The Cradle Song | Alastair Hardie’s Compliments to The King (Hardie Press) |
Grade 4 repertoire: List C
| No. | Composer | Piece | Publication |
|---|---|---|---|
| 1 | Ewa Iwan | Butterfly, from Musical Journeys, Book 1 | Violin Exam Pieces from 2024, Grade 4 (ABRSM) |
| 2 | Lagye | Danse espagnole, Op. 102 | Violin Exam Pieces from 2024, Grade 4 (ABRSM) |
| 3 | Bart Howard | Fly me to the moon, arr. Iles | Violin Exam Pieces from 2024, Grade 4 (ABRSM) |
| 4 | Gebirtig | Avreml der Marvikher, arr. Rowlands | Klezmer Fiddle Tunes (Schott) |
| 5 | Hadjiev | Rondino, arr. de Keyser & Waterman | The Best of Grade 4 Violin (Faber) |
| 6 | Kabalevsky | The Clowns, arr. de Keyser & Waterman | The Young Violinist’s Repertoire, Book 3 (Faber) |
| 7 | D. Obijalska & M. Wawruk | Gadabout Cat, from Fiddling Notes | Obijalska & Wawruk: Fiddling Notes (PWM) |
| 8 | G. M. Rodriguez | La cumparsita, arr. Huws Jones, violin melody | The Fiddler Playalong Violin Collection 2 (Boosey & Hawkes) or The Tango Fiddler (Boosey & Hawkes) |
| 9 | J. S. Skinner | MacPherson’s Blade | Alastair Hardie’s Compliments to The King (Hardie Press) |
| 10 | Trad. Russian | Chubchik, arr. Stephen, with final repeat SOLO | Russian Fiddle Tunes (Schott) |
| 11 | African-American Spiritual | Joshua fit the battle of Jericho, arr. Blackwell | Solo Time for Violin, Book 1 (OUP) |
| 12 | C. Bohm | Valse Lente, No. 2 from Moments musicaux, Op. 380 | Encore Violin, Book 2 (ABRSM) |
| 13 | Christopher Norton | King Boogie, No. 6 from The Christopher Norton Concert Collection | The Christopher Norton Concert Collection for Violin (Boosey & Hawkes) |
Grade 4 scales and arpeggios
All scales and arpeggios are played from memory.
| Keys | Range | Bowing and rhythm |
|---|---|---|
| Scales | ||
| A-flat, B, C, and E majors; G, B, and C minors, harmonic or melodic at the candidate's choice | 2 octaves | Separate bows or slurred, 2 beats to a bow, at the examiner's choice. Even notes or long tonic at the candidate's choice. |
| Arpeggios | ||
| A-flat, B, C, and E majors; G, B, and C minors | 2 octaves | Separate bows or slurred, 3 notes to a bow, at the examiner's choice. Even notes. |
| Dominant sevenths | ||
| In the key of C, starting on open G string; in the key of D, starting on bottom A | 1 octave | Separate bows, even notes. |
| Chromatic scales | ||
| Starting on A bottom A; starting on E bottom E | 1 octave | Separate bows or slurred, 4 notes to a bow, at the examiner's choice. Even notes. |
Practical recommendation
Choose one piece with clear structure, one piece that invites a warmer sound, and one piece with character. Grade 4 should show musical growth without asking the student to pretend to be more advanced than they are.
For the broader level-by-level view, return to the ABRSM violin repertoire by grade guide.

