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Browse the full archive of essays on practice, teaching, listening, repertoire, and the wider musical life.
99 posts
Page 16 / 17
When Should You Start Learning Viola?
When to start learning viola in Hong Kong, including readiness, body size, attention, listening and support for a good beginning.
Why Learn Viola in Hong Kong
Why learn viola in Hong Kong: the instrument offers its own voice and suits ensemble playing, inner listening and musical growth.
Teaching the Known and Unknown in Music Lessons
A practical way to think about music teaching through what students know, what they miss, what they sense and what they know without words.
A Gentle Guide to the String Family
An introduction to the violin, viola, cello, and double bass, with listening suggestions that show how each instrument speaks in its own way.
What ABRSM Exams Can and Cannot Teach
A reflection on the role of ABRSM exams in shaping musicianship, and where they quietly fall short.
What Makes a Musical Life Sustainable
A few thoughts on building a life in music that is serious, human, and able to keep growing over time.
Next Step
Lessons shaped by real performance experience.
The work in the rehearsal room and on stage feeds directly into Vincent’s teaching. If you are looking for lessons grounded in musicianship, care, and active artistic practice, this is a good place to begin.