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ABRSM 小提琴七級考試 (Grade 7) 曲目與音階 2026
整理 ABRSM 小提琴七級考試在 2026 年使用的曲目清單、音階要求，以及給香港學生的實用選曲建議。
ABRSM 小提琴七級考試 (Grade 7) 已經相當成熟。曲目包括奏鳴曲、協奏曲、無伴奏作品和較有性格的舞曲，要求演奏者更有主導力。
以下內容根據官方 ABRSM Violin Practical Grades syllabus from 2024 整理；這仍然是 2026 年使用的小提琴考綱。ABRSM 亦要求考生具備五級樂理 (Grade 5 Theory)、Practical Musicianship、Jazz practical 或認可替代資格。
如果想看整條考級路線，可以配合 ABRSM 小提琴各級曲目指南一起讀。考試準備背後更大的教學問題，可以參考ABRSM 考試的意義。
其他級別：一級 | 二級 | 三級 | 四級 | 五級 | 六級 | 七級 | 八級
七級考試難度摘要
七級考試要求演奏者更有主導力。風格、音色、耐力和音樂意圖都要在壓力下保持穩定。
七級考試實用選曲提示
購買額外樂譜之前，可以先檢查候選曲目是否已經在學生現有教材、學校圖書館或 ABRSM exam-piece collections 裡。最實用的選擇，是學生能夠穩定而有音樂感地準備的曲目。
如何選擇 七級考試曲目組合
七級考試選曲時，要讓學生聽起來有主見，而不是只是在完成高難度要求。每一首都應該有清楚角色：結構、歌唱性、節奏或性格。
七級考試曲目：List A
| No. | 作曲家 | 曲目 | 出版物 |
|---|---|---|---|
| 1 | J. Gibbs | Allemande, 2nd movt from Sonata in D minor, Op. 1 No. 1 | Violin Exam Pieces from 2024, Grade 7 (ABRSM) |
| 2 | Albinoni | Allegro assai, 2nd movt from Sonata in B-flat, Op. 6 No. 12; b. 6 and b. 44 lower two notes in chord optional | Violin Exam Pieces from 2024, Grade 7 (ABRSM) |
| 3 | Telemann | Vivace, 2nd movt from Fantasia No. 9 in B minor, TWV 40:22 SOLO | Violin Exam Pieces from 2024, Grade 7 (ABRSM) |
| 4 | Beethoven | Rondo: Allegro, 3rd movt from Sonata in D, Op. 12 No. 1 | Beethoven: Sonata in D, Op. 12 No. 1 (Schott) or Beethoven: Sonatas for Piano and Violin, Vol. 1 (Henle) |
| 5 | Haydn | Allegro, 3rd movt from Concerto in G, Hob. VIIa:4 | Haydn: Violin Concerto in G, Hob. VIIa:4 (Henle) or Haydn: Concerto No. 2 in G, Hob. VIIa:4 (Schott) |
| 6 | Schubert | Allegro moderato, 1st movt from Sonata in A minor, Op. 137 No. 2, D. 385 | Schubert: Three Sonatinas, Op. 137 (Peters) or Schubert: Sonatas for Piano and Violin (Wiener Urtext) |
| 7 | Tartini | Adagio and Allegro, 3rd and 4th movts from Sinfonia in C | Italian Violin Music of the Baroque Period, Vol. 1 (Henle) |
| 8 | A. Veracini | Largo and Vivace, 1st and 2nd movts from Sonata in B-flat, Op. 3 No. 6 | Italian Violin Music of the Baroque Period, Vol. 1 (Henle) |
| 9 | Telemann | Grave and Allegro, 3rd and 2nd movts from Fantasia No. 1 in B-flat, TWV 40:14 SOLO | Telemann: 12 Fantasias for Violin Solo (Barenreiter or Wiener Urtext) |
| 10 | Vivaldi | Sonata in G, Op. 2 No. 8, RV 23 complete | Pp. 13-14 from Violinissimo: La Follia (Schott) |
| 11 | Chevalier de Saint-Georges | Allegro, 1st movt from Sonata No. 3 in G Minor, Op. 1b | Chevalier de Saint-Georges: Three Sonatas for Violin, Op. 1(b) (Artaria) |
| 12 | M. Clements | Avalanche SOLO | Bluegrass Fiddle Styles (Music Sales) |
| 13 | Mozart | Allegro, 1st movt from Sonata in E minor, K. 304 (300c) | Mozart: Sonatas for Piano and Violin, Vol. 1 (Henle) or Mozart: Sonatas for Violin & Piano: The Mannheim, Paris, Salzburg Sonatas (Barenreiter) |
七級考試曲目：List B
| No. | 作曲家 | 曲目 | 出版物 |
|---|---|---|---|
| 1 | Mel Bonis | Allegretto non troppo, Op. 84 | Violin Exam Pieces from 2024, Grade 7 (ABRSM) |
| 2 | Sarasate | Playera, No. 1 from Spanische Tanze, Op. 23 | Violin Exam Pieces from 2024, Grade 7 (ABRSM) |
| 3 | Barns | Morceau, from Two Compositions | Violin Exam Pieces from 2024, Grade 7 (ABRSM) |
| 4 | A. Beach | Lento espressivo, Op. 125 | A. Beach: Lento espressivo, Op. 125 (Hildegard) |
| 5 | Chaminade | Andantino, No. 1 from Trois morceaux, Op. 31 | Chaminade: Trois morceaux, Op. 31 (Masters Music Publications) |
| 6 | N. Paganini | Cantabile | N. Paganini: Cantabile (Ricordi or Universal UE7014) or Sheila M. Nelson’s Romantic Violinist (Boosey & Hawkes) |
| 7 | John Rutter | Lament for the Holy City | John Rutter: Lament for the Holy City (OUP) |
| 8 | Sibelius | Romance, No. 2 from Four Pieces, Op. 78 | Sibelius: Romance, Op. 78 No. 2 (Hansen) |
| 9 | H. Wieniawski | Romance: Andante non troppo, 2nd movt from Concerto No. 2 in D minor, Op. 22; octaves in bb. 56-58 optional | H. Wieniawski: Concerto No. 2 in D minor, Op. 22 (PWM or Peters) |
| 10 | S. Coleridge-Taylor | Cavatina, No. 2 from Suite de Pieces, Op. 3 | S. Coleridge-Taylor: Suite de Pieces (Schott) |
| 11 | C. Dancla | Air Varie on a Theme by Donizetti, Op. 89 No. 4 complete | Sheila M. Nelson’s Romantic Violinist (Boosey & Hawkes) |
| 12 | Glazunov | Meditation, Op. 32 | Glazunov: Meditation (Carl Fischer) or Glazunov: Meditation for Violin (Belaieff) |
| 13 | Smetana | Moderato, No. 1 from Aus der Heimat, arr. Sitt | Smetana: Aus Der Heimat (Peters) |
七級考試曲目：List C
| No. | 作曲家 | 曲目 | 出版物 |
|---|---|---|---|
| 1 | Arensky | Serenade, No. 2 from Four Pieces, Op. 30 | Violin Exam Pieces from 2024, Grade 7 (ABRSM) |
| 2 | F. Price | Elfentanz | Violin Exam Pieces from 2024, Grade 7 (ABRSM) |
| 3 | Hubay | Bolero, No. 3 from Cinq morceaux caracteristiques, Op. 51 | Violin Exam Pieces from 2024, Grade 7 (ABRSM) |
| 4 | Gardel | Por una cabeza, arr. Birtel | Gardel: Por una cabeza, for Violin (Dohr) |
| 5 | Glazunov | Serenade espagnole, arr. Kreisler | Glazunov: Serenade espagnole, for Violin (Schott) |
| 6 | Grainger | Molly on the Shore, arr. Kreisler | Grainger: Molly on the Shore for Violin (Schott) |
| 7 | Stephen Hough | The Mad Tea Party | Stephen Hough: The Mad Tea Party (Weinberger) |
| 8 | Joplin | The Chrysanthemum, arr. Forster | Joplin: Six Ragtimes for Violin, Vol. 1 (Kunzelmann) |
| 9 | Lutoslawski | Recitative e arioso | Lutoslawski: Recitativo e arioso (Chester) |
| 10 | Brahms | Hungarian Dance No. 7 | Sheila M. Nelson’s Romantic Violinist (Boosey & Hawkes) |
| 11 | Moszkowski | Con moto, No. 3 from Spanische Tanze, Op. 12, arr. Scharwenka | Moszkowski: Spanish Dances (Peters) |
| 12 | Claire Scholes | Knees Up Mambo | Violin Music By Women: A Graded Anthology, Vol. 3 Intermediate 2 (Sleepy Puppy Press) |
| 13 | J. S. Skinner | Back to the Hills, arr. Hardie | Alastair Hardie’s Compliments to The King (Hardie Press) |
七級考試音階與琶音
所有音階與琶音均須背奏。
| 調性 | 音域 | 弓法與節奏 |
|---|---|---|
| 音階 | ||
| F and F-sharp majors and minors, minors harmonic and melodic | 2 octaves | Separate bows or slurred, 7 notes to a bow, at the examiner's choice. Even notes or long tonic at the candidate's choice. |
| A, B, and D majors and minors, minors harmonic and melodic | 3 octaves | Separate bows or slurred, 7 notes to a bow, at the examiner's choice. Even notes or long tonic at the candidate's choice. |
| 琶音 | ||
| F and F-sharp majors and minors | 2 octaves | Separate bows or slurred, 6 notes to a bow, at the examiner's choice. Even notes. |
| A, B, and D majors and minors | 3 octaves | Separate bows or slurred, 3 notes to a bow, at the examiner's choice. Even notes. |
| 屬七和弦 | ||
| In the keys of G and B-flat | 2 octaves | Separate bows or slurred, 4 notes to a bow, at the examiner's choice. Even notes. |
| In the keys of D and E | 3 octaves | Separate bows or slurred, 4 notes to a bow, at the examiner's choice. Even notes. |
| 減七和弦 | ||
| Starting on D and F | 2 octaves | Separate bows or slurred, 4 notes to a bow, at the examiner's choice. Even notes. |
| Starting on A and B | 3 octaves | Separate bows or slurred, 4 notes to a bow, at the examiner's choice. Even notes. |
| 半音階 | ||
| Starting on D and F | 2 octaves | Separate bows or slurred, 12 notes to a bow, at the examiner's choice. Even notes. |
| Starting on A and B | 3 octaves | Separate bows or slurred, 12 notes to a bow, at the examiner's choice. Even notes. |
| 雙音 broken steps 音階 | ||
| In sixths, in G and B-flat majors; in octaves, in D major | 1 octave | See page 16 of the official syllabus. |
實用建議
七級考試不只是難度增加，而是要求學生更會說服聽眾。選曲應該突出學生已有的長處，同時留有成長空間。
如果想看整體級別脈絡，可以回到ABRSM 小提琴各級曲目指南。
